¼’’ Reel-To-Reel Tape to CD | Audio Restored

Studio reel transcription on Revox B77 deck

1/4 inch open-reel tapes come in many formats but generally fall into two categories: “domestic tape” and “studio” tape. Both types can have a variety of playing speeds and tape lengths, giving a range of playing times as indicated in the table:

Reel to Reel Tape Playing Times (hr:min)

Reel Size Length Speed (ips)
(inch) (cm) (ft) 1 7/8 3 3/4 7 1/2 15
3 1/4 8 400 0:45 0:22 0:11
5 12 600 0:60 0:32 0:16
5 12 900 1:36 0:48 0:24 0:12
5 or 7 12 or 18 1200 2:08 1:04 0:32 0:16
7 18 1800 3:12 1:36 0:48 0:24
7 or 10.5 18 or 26.5 2500 4:24 2:12 1:06 0:33
10.5 26.5 3600 6:24 3:12 1:35 0:48
Sony TC377 Tape Deck

Sony TC377 Tape Deck

Domestic reels: Typical spool diameters are 3.25 inch, 4 inch, 5 inch, 6 inch and 7 inch. Usually the recording speeds are either 1 7/8 ips (inches per second), 3 3/4 ips or 7 1/2 ips and they are often quarter-track (4 track) mono or stereo.

Domestic reels are transcribed using either a Revox B77 deck or a Sony TC-377 deck for tapes running at 1 7/8 ips.

Occasionally we receive tapes running at 15/32 ips or 15/16 ips – these are speed-adjusted using software designed for the purpose.

Revox B77 Mk.II

Revox B77 Mk.II

Studio reels: Typical spool diameters are 7 inch and 10.5 inch, and they are usually half-track (2 track) stereo recordings running at 15 ips or 30 ips.

1/4 inch Studio tape to CD transfer is performed using one of a pair of Revox B77 professional decks, catering for all speeds from 3 3/4 ips and above in both quarter- and half- track format.

 

PricesSticky Shed Syndrome (Baking Tapes)Reel-to-Reel facts

Prices

Domestic reel-to-reel tape (up to 7 inch) £20 / hour / reel
Studio reel-to-reel tape (up to 10.5 inch) £25 / reel
Baking of reel-to-reel tape £8 / reel
Identification of unknown content, subsequently not required & blank tape discovered £10 / hour / reel

Sticky Shed Syndrome (SSS)

Most reel-to-reel tapes that we receive for transfer to CD are found to be in perfectly good condition. Sometimes though, reels will arrive exhibiting signs of SSS – a noticeable ‘squealing’ sound as the tape is played, which is often accompanied by excessive wow and flutter and the shedding of sticky iron oxide particles on the record / playback heads and pinch roller. This is commonly due to the reels having been stored in less than ideal conditions (possibly extremes of temperature /dampness etc.) where the magnetic tape absorbs moisture from the air causing the break-down of the binder used to hold the magnetic particles onto the base film.

Carbolite_oven_smallAt Audio Restored, we use a Carbolite type 201 laboratory oven (with over-temperature safety cut-out) to’ bake’ tapes suffering with SSS at a carefully controlled 55 degrees C for 24 hours. This technique drives out the moisture in a slow and controlled way, allowing us to transfer and retrieve the recorded content to digital.

Be advised – never attempt to play any tapes exhibiting SSS –  it may well destroy the tape and its recorded content. Contact us to discuss a solution.

Reel-to-Reel facts

  • The Reel-to-reel tape format (also known as ‘open-reel’) was initiated in the late 1920s with the Anglo-German ‘Blattnerphone’, which was based on magnetisable steel wire passing across the heads from the supply spool to the take-up spool.
  • This led on to the development in the 1930s of the ‘Magnetophon’, which was introduced by the German AEG company, and employed magnetic tape rather than wire.
  • Early recordings tended to be disappointing, but considerable progress was made over the next 20 – 30 years in the formulation of the magnetic coating, which significantly improving the quality of the recordings.

Contact us to discuss your requirements fully.